The BigShot EFX is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain at will. This means that noisy pedals or tone robbing non true-bypass pedals that you 'love to hate' can now be used and completely taken out of the signal path when they are not needed.Better yet, while an effects loop is on 'standby', you can turn on and off pedals at will and prepare your sound. Then, with one foot stomp you can turn on as many pedals as you like for professional multi-effects performance without the usual tap dancing! Add the BigShot PB1 buffer into the loop and you can now drive as many pedals as you like without adding noise. For those that like quiet tuning, you can use the second loop as a tuner out and the BigShot EFX will mute your signal with a single stomp.Compact, rugged and plug & play easy to use, the BigShot EFX opens the door to professional pedal management and lets you do it all right at your feet!

The Radial Tonebone BigShot ABY Passive Switcher allows you to toggle between 2 guitar amps or play them both at the same time. Features a guitar input, a thru-put, and 2 outputs. Output B is equipped with a ground-lift and 180° polarity reverse. For active buffered circuits, an isolation transformer on output-B eliminates ground loops. 14-gauge steel construction.

The Radial BigShot i/o is an easy-to-use instrument selector switch that lets you quickly transition between any two instruments and drive the signal to your amp. Because the i/o is 100% true-bypass, it addresses the needs of the most demanding purist. To further enhance connectivity, input-B is equipped with a level control called DIM that lets you reduce the signal from the louder of your two instruments so that both instruments are matched to the same volume level when they reach the amplifier. When passive instruments are used, a unique 'bright' switch lets you compensate for high frequency loss due to longer cables.To enhance onstage functionality, the BigShot i/o is equipped with a tuner output. With a simple foot stomp on the MUTE switch, the sound going to the amp is turned off and diverted to the tuner for quiet onstage adjustments. An 'always on' switch also permits on-the-fly quiet tuning should you wish to have the tuner on at all times.Compact, extremely rugged and completely passive, the BigShot i/o does not require any powering to make it work. This makes it ideal for pedalboards where the use of batteries or power supplies is painful! The BigShot i/o is also perfect for all you instruments and hi-Z line-level signal switching.

The Tonebone Classic is the most flexible Tonebone distortion pedal. With three drive settings and a variable drive control, you can dial in everything from dirt to drastic and everywhere in between. The Classic's design is based on vintage overdrive sounds that started in the 1960's and 1970's and today remain some of the most sought after tones. The Classic is exceptionally dynamic and transparent and as such, is extremely adept at retaining your playing style and signature. Even at high distortion settings, you can turn your guitar level down and the Classic cleans up naturally and without the noise, hum or buzz that is common with most other pedals. At higher settings, every note remains distinct and the natural tone of the instrument shines through.Welcome to a world where Tone reigns supreme, where dynamics live and breathe, and where uniqueness and individuality shine through. Welcome to Radial Tonebone.Over twenty years ago, Radial Engineering started developing tube amplifier and tube pedal technology with a single goal in mind: To create devices for professional musicians that would combine exceptional sound quality with straight ahead functionality. In other words, build products that are intuitive and musical. Ultimately, they believe that these 'tools' will have achieved their goal by spurring on the creative process.Radial products are used by many of the world's most notable professionals. These include Bryan Adams, Bruce Springsteen, Seal, The Rolling Stones, k d lang, Celine Dion, Nine Inch Nails, Journey, I Mother Earth, Randy Travis, The Barenaked Ladies, Tony Levin, Faith Hill, Janet Jackson, The Yellowjackets, Alain Caron, Al Demiola, The California Acoustic Trio, Any Difranco, Will Lee, Def Leppard, Styx, Santana, and so many others.Radial, True to the Music.Tone....Ask any professional guitar player and they will tell you that nothing is more important than tone. TheRadial Toneboneis

The BigShot SW2 Slingshot is a 2-channel universal remote control footswitch that can be used to replace two amplifier foot switches and combine their main functions with a single pedal. This is of primary importance for pedalboard users that always find themselves short on space. Both latching and pulse outputs are supported enabling the SW2 to control both older amps with contact closure style channel switching and newer amps with electronic pulse sensing. These options are augmented by the 'LINK' function that can gang both remote commands onto either foot switch. This could, for instance, switch both amp channels in a stereo rig from a clean rhythm to a distorted lead channel with one single foot stomp. No tap dancing!For Tonebone pedal users, the SW2 provides a compact Slingshot™ remote switching controller that can be used to remotely switch amp heads ( Headbone ) or speaker cabinets ( Cabbone ). When combined with guitar amps, the switching capabilities are huge!BigShot SW2 - switching channels and reverb: Each of the SW2's footswitches can be set to remotely switch any amp's on-board features such as reverb, tremolo or amp channels.BigShot SW2 Development When Radial introduced the Slingshot concept, a new approach to amp and pedal switching came to be. Using the tried and true switching systems that guitar amps have employed for years, Slingshot combines the simplicity of regular 1/4" guitar cable interconnect with on-off functionality of a basic MIDI system — albeit without the pre-required electronic degree.From a controller like the Tonebone Loopbone, suddenly you can engage several effects pedals and change channels on your amp with a single foot stomp. With the Headbone in tow, you could remotely switch heads with any footswitch. With Cabbone, you could switch amp channels and speaker cabinets with one tap.The SW2 Switchbone represents a natural evolution by providing a compact remote control with two footswitches that now lets you control

Here's a fantastic, pre-packaged selection of world-famous professional microphones and mounting hardware ideally suited for recording and performing drummers. This package includes three SM57s, one Beta 52(R), three of Shure's superb, new A56D drum mounting systems, and a lightweight and durable carrying case. High profiles drummers like Simon Phillips, Dennis Chambers and Dave Weckl, among the most in-demand drummers in the world, and thousands of others, depend on Shure reliability and the Shure sound. This is a great opportunity to outfit your kit with the best! The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case. The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately. Perfect for the kick drum, the supercardioid Beta 52® derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up. A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a durable carrying case. A core package of microphones for recording and performing drummers at a great price. Click to enlarge. Durable carrying case included. Three SM57s The industry standard for snare drum, and a reliable and high-performing choice for toms, the Shure cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately. One Beta 52A Perfect for the kick drum, the supercardioid Beta 52A derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up. Three A56D Mounting Systems The A56D universal drum mounting system can be used to position microphones virtually anywhere--on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. Case Included A lightweight, durable carrying case is included, for taking your mics along to the next session. What's in the Box Three SM57 Microphones, One Beta 52A Microphone, Three A56D Mounting Systems, Carrying Case

A complete drum mic package. The PGDMK6 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, two PG81 instrument microphones, three A50D drum mounts, six 15ft (4.57m) XLR-XLR cables and a durable carrying case.

An essential drum mic package, the affordable PGDMK6 drum microphone kit combines two PG81 instrument microphones with three PG56 snare/tom microphones and one PG52 kick drum microphone. It also includes three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case. Tailored for performers of every level, the affordable Shure PG81 sensitive, flat response condenser microphone is ideal for picking up cymbal crashes as well as acoustic instruments. The compact PG56 mic is ideal for close miking, while the high-performance PG52 kick drum microphone is tuned to capture low-end punch. All three feature a cardioid polar pattern that picks up the most sound from in front of the microphone and some sound from the sides, and is less susceptible to feedback in high volume settings. The Shure PG81 instrument mic. The Shure PG56 (above) and PG52 (below). PG81 Instrument Microphone Flat frequency response is wide and uniform. Consistent sensitivity through frequency range. Condenser cartridge has a lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by AA battery or phantom power supply. Internal shock mount for reduced handling noise. Durable metal construction. On/off switch for onstage control. PG52/PG56 Drum Microphones Tailored frequency response is smooth and extended. Tuned specifically for drum and kick drum applications. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. Cartridge includes a neodymium magnet for high output level. Internal shock mount for reduced handling noise. Durable metal construction. Integral stand mount. Hardened steel mesh tapered grille that resists wear and abuse. Packaged together in a durable carrying case. The Shure PG81. The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation. The Shure PG52. The Shure PG56.

An essential drum mic package. The PGDMK4 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15ft. (4.57m) XLR-XLR cables and a durable carrying case.

An essential drum mic package, the affordable PGDMK4 drum microphone kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case. The compact PG56 mic is ideal for close miking, while the high-performance cardioid dynamic PG52 kick drum microphone is tuned to capture low-end punch. The Shure PG56 (above) and PG52 (below). Microphone Key Features Tailored frequency response is smooth and extended. Tuned specifically for drum and kick drum applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. Cartridge includes a neodymium magnet for high output level. Internal shock mount for reduced handling noise. Durable metal construction. Integral stand mount. Hardened steel mesh tapered grille that resists wear and abuse. Packaged together in a durable carrying case. The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation. The Shure PG52. The Shure PG56.

A comprehensive first step into professional wireless, PG Wireless is engineered to the same uncompromising quality standards as PGX, SLX, and UHF-R. Combining superior Shure sound quality and stage-proven endurance with advanced features like Internal Antenna Diversity, PG Wireless offers professional tools created for confident performance. The PG24/PG58 includes PG4 Diversity Receiver with PG2/PG58 Handheld Microphone Transmitter, tuned to accentuate the clarity of lead and backup vocals. The PG2 Handheld Transmitter microphone features power, mute, and battery status LED so you?ll never be left in the dark with wondering about your signal. The 9-volt battery (included) provides up to 8 hours of transmitting up to a 250-foot range. This package is designed for the H7 band of frequencies. Visit http://www.shure.com/ProAudio/TechLibrary/WirelessFrequencyFinder/index.htm to find which system is best suited to your location.

Shure Performance Gear™ Affordable, application-specific microphones...Ideal for everyday use and practice. The perfect introduction to Shure's engineering excellence for performers ready to plug in and play out. Performance Gear™ Microphones provide a complete vocal, instrument and drum selection and feature many of the same durability and performance attributes of other Shure microphones at an attractive price. Real gear without compromise. As serious as you want to be. A complete drum mic package! The PGDMK6 drum mic kit includes three PG56 snare/tom microphones, two PG81 condenser instrument microphones, one PG52 kick drum microphone, three A50D drum mounts, six 15' (4.5m) XLR-XLR cables and a durable carrying case. Suggested applications: Kick drum, snare drum, rack/floor toms, percussion and overhead/cymbals. The PG56 is a compact drum microphone for close miking, the PG52 is a high-performance microphone tuned to capture low-end punch, and the PG81 is a sensitive, flat response microphone ideal for overhead and cymbal miking. The A50D drum mount can be used on most standard drum rims - The flexible, yet sturdy rubber construction provides stability and ease of installation.